Janine Chow, an assistant professor in the Department of Theatre and an experienced sound designer, talks about the process and history of creating sounds for theatrical production.

Experts from CNET, PCMag, Mashable, ZDNET and Lifehacker debated for more than six hours to determine the absolute best new ...

Returns and damage aren’t just logistics issues. Discover how packaging decisions can quietly reduce product damage, returns, ...

By monitoring a home’s main service lines, the Emporia Pro home charger has the smarts to save EV drivers thousands of ...

Ian Buckle tells Guy Hiscott why digital dentistry needs a new mindset to realise its full potential and avoid making the ...

Doing this job for a few years has ways of changing what you thought you knew.This is obviously true about the hundreds of ...

Oh wow, I've got a beauty for you this week!  The 2026 Nissan Armada NISMO represents Nissan's most performance-oriented ...

The managing director of Campari’s House of Aperitifs tells Tim Healey how a local Italian ritual was scaled globally, why ...

This week, we sit down to talk with the new Executive Director of Canberra Theatre Centre, Georgia Hendy. Here's how she got ...

Supervising sound editor Laia Casanovas, re-recording mixer Yasmina Praderas, production sound mixer Amanda Villavieja ...

Outstanding Sound Design of a Musical (Drama Desk Awards) for Dead Outlaw, Best Sound Design of a Musical (Tony Awards) for Merrily We Roll Along, Outstanding Sound Design (Play or Musical) (Outer ...

Outstanding Sound Design (The Lortels) for (pray), Outstanding Sound Design of a Play (Drama Desk Awards) for Fat Ham, Outstanding Sound Design for a Play (Drama Desk Awards) for Sanctuary City, ...