When you’ve been told over and over that you belong at the bottom, how do you come out on top? “Dance Moms” star Nia Sioux shares how in her new memoir, “Bottom of the Pyramid” – a story of resilience ...

Every solid building has a strong foundation. And when you’re hired for a new job, that’s where you start: at the bottom, in the back office, the least position, the lowest rung. You won’t stay there ...

In 2011, Nia, then an 11-year-old student, first appeared on Dance Moms. More often than not, Nia found herself ranked at the bottom of Abby’s pyramid, which likely destroyed her young mindset.

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It wasn't until her junior year of college that Nia Sioux realized she was ready. Then a student at UCLA, she was in Los Angeles with her mom, Holly Frazier. She remembers looking at her and saying, ...

WASHINGTON, Nov. 12, 2025 - The World Bank Group (WBG) and four leading African think tanks today jointly launched the Network for Impact in Africa (NIA), a new initiative designed to deepen ...

This 1970 Plymouth Road Runner on Exotic Car Trader has had a total overhaul, leaving it a perfect statement piece and shrine to the era. The 1970 Plymouth Road Runner blends classic muscle car style ...

Years removed from her time under Abby Lee Miller's tutelange, the Dance Moms alum has learned it's not necessary to save her tears for anything. "It's OK for people to see your emotions," she ...

She may have left the Abby Lee Dance Company behind, but Nia Sioux is still dancing her way through life with a few familiar faces by her side. “I see Chloé quite a bit because she’s in New York,” Nia ...

"Hedda" uses a tool called the Cinefade to shine chaos on its main character in Nia DaCosta's Henrik Ibsen revamp. Much of the enticing capriciousness of Hedda comes from Thompson’s performance, of ...

The director’s sumptuous rethinking of “Hedda Gabler” raises questions about women, freedom and the choices we make about our lives. The director’s sumptuous rethinking of “Hedda Gabler” raises ...

To understand women, you first have to accept one simple thing: they’re complex. That paradox sets the stage for Nia DaCosta’s new film adaptation of Henrik Ibsen’s 1891 play Hedda Gabler. Starring ...